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Download as PDF; Printable version; In other projects ... Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total.
Proust and Signs (French: Marcel Proust et les signes) is a book by the philosopher Gilles Deleuze, in which the author explores the system of signs within the work of the celebrated French novelist Marcel Proust. It was first published in 1964; its second edition (1972) added an eighth concluding chapter ("L'Image de la pensée" or "The Image ...
Deleuze's work is frequently cited in English-speaking academia (in 2007, e.g., he was the 11th most frequently cited author in English-speaking publications in the humanities, between Freud and Kant). [64] In the English-speaking academy, Deleuze's work is typically classified as continental philosophy. [65]
Spinoza: Practical Philosophy (French: Spinoza: Philosophie pratique) (1970; second edition 1981) is a book written by French philosopher Gilles Deleuze which examines Baruch Spinoza's philosophy, discussing Ethics (1677) and other works such as the Tractatus Theologico-Politicus (1670), providing a lengthy chapter defining Spinoza's main concepts in dictionary form.
Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2.
The development of a bird egg; the egg is a prominent figure of the body without organs in Capitalism and Schizophrenia.. The concept of the body without organs was mainly defined by Deleuze and Guattari in the two volumes of their work Capitalism and Schizophrenia, Anti-Oedipus and A Thousand Plateaus. [11]
An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, The Logic of Sense consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum".
Deleuze argues that Henri Bergson developed "the notion of the virtual to its highest degree" and that he based his entire philosophy on it. [5] Both Henri Bergson, and Deleuze himself build their conception of the virtual in reference to a quotation in which writer Marcel Proust defines a virtuality, memory as "real but not actual, ideal but ...