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For privacy reasons, the name of the dead person, as well as the face on the portrait are censored out via pixellation. Held as soon as possible after death, a Japanese wake is called tsuya (通夜), lit. "passing the night". All funeral guests wear black: men wear black suits with white shirts and black ties, and women wear either black ...
Shihao (traditional Chinese: 諡號; simplified Chinese: 谥号; pinyin: shì hào) is a Chinese term that means posthumous name and title. [4] The names of living Chinese people may be any combination of characters. Most often, posthumous names are chosen from a relatively small list, with their literal meaning eroding as a result. [5]
"Mononoke Kikyo no Koto" (物怪帰去の事) from the "Totei Bukkairoku" (稲亭物怪録) The first appearance of the term in Japanese literature is seen to be in the Nihon Kōki, and according to a quotation of this book from the Nihon Kiryaku of the same time period, in the article of Uruu 12th month of the year Tenchō 7 (830), there is the statement: "Five monks were invited to recite ...
Even though the kijin and onryō of Japanese Buddhist faith have taken humans' lives, there is the opinion that there is no "death god" that merely leads people into the world of the dead. [6] In Postwar Japan , however, the Western notion of a death god entered Japan, and shinigami started to become mentioned as an existence with a human nature.
Kodokushi (孤独死) or lonely death is a Japanese phenomenon of people dying alone and remaining undiscovered for a long period of time. [1] First described in the 1980s, [ 1 ] kodokushi has become an increasing problem in Japan, attributed to economic troubles and Japan's increasingly elderly population .
A woodblock print depicting the wife of Onodera Junai, one of the forty-seven rōnin.She prepares herself to follow her husband into death. Junshi (殉死, "following the lord in death", sometimes translated as "suicide through fidelity") refers to the medieval Japanese act of vassals committing suicide for the death of their lord.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
View a machine-translated version of the Japanese article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.