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The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble.
The Veiled Nun is a marble bust depicting a female figure, sculpted by an unidentified Italian workshop c. 1863. Despite its name, the woman depicted is not a nun.. The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C., from 1874 until the museum closed in 2014.
The Veiled Vestal (Italian: La vestale velata) is an 1847 sculpture by Raffaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin , the priestesses of the Ancient Roman goddess Vesta .
Modesty or Chastity (Italian: La Pudicizia) or Veiled Truth by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples , where the marble sculpture still remains.
Archaeologists have found a white marble statue of a woman wearing a royal crown under the walls of an ancient temple and suspect it may be of the famous Egyptian queen Cleopatra VII.
The portrait of the woman was lost when Picasso painted over it, probably a few months afterward, in 1901 to depict his sculptor friend Mateu Fernández de Soto sitting at a table in hues of blues ...
The Veiled Rebecca is an example of the neoclassical naturalist style, popular during the 19th century. [ 13 ] The Veiled Lady, or Rebecca shows how Antonio Canova 's and other Neoclassical sculptors' work had an influence on Benzoni as well as how well-versed he was in earlier eighteenth-century sculptural style.
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