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Wet-on-wet, or alla prima (Italian, meaning at first attempt), direct painting or au premier coup, [1] is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint.
Since the late 19th century studies have become less important as painters adopted of the wet-on-wet, or alla prima painting technique, in which layers of wet paint are applied to previous layers of wet paint, the sketch being merely the first layer. However, the use of studies has been maintained by the academic art tradition. Color Studies
Arts in education is an expanding field of educational research and practice informed by investigations into learning through arts experiences. In this context, the arts can include Performing arts education (dance, drama, music), literature and poetry, storytelling, Visual arts education in film, craft, design, digital arts, media and photography. [1]
Some art historians believe that fresco artists from Crete may have been sent to various locations as part of a trade exchange, a possibility which raises to the fore the importance of this art form within the society of the times. The most common form of fresco was Egyptian wall paintings in tombs, usually using the a secco technique ...
The NEA has initiated a number of other arts education partnerships and initiatives, which include: The Arts Education Partnership (AEP) [18] AEP convenes forums to discuss topics in arts education, publishes research materials supporting the role of arts education in schools, and is a clearinghouse for arts education resource materials.
By definition, the arts themselves are open to being continually redefined. The practice of modern art , for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
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Classical art [Note 2] is the art developed in ancient Greece and Rome, whose scientific, material and aesthetic advances contributed to the history of art a style based on nature and the human being, where harmony and balance, the rationality of forms and volumes, and a sense of imitation ("mimesis") of nature prevailed, laying the foundations ...