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Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Goya Foods, Inc. is a producer and distributor of foods and beverages sold in the United States and many Spanish-speaking countries. It has facilities in the United States (including Puerto Rico), the Dominican Republic and Spain.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The Goya Awards (Spanish: Premios Goya) are Spain's main national annual film awards. They are presented by the Academy of Cinematographic Arts and Sciences of Spain . The first ceremony was held in 1987, a year after the founding of the Academy of Cinematographic Arts and Sciences, at the Teatro Lope de Vega in Madrid .
The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya.It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
Casa natal de Goya, in Fuendetodos. The Casa natal de Goya (English: Goya's Birthplace) is an historical house museum in Fuendetodos, Aragon, where renowned artist Francisco Goya was born in 1746. It is, since 1989, a house museum, that preserves reproductions of artworks and documents from Goya, and also objects and furniture of Aragonese style.
Witches' Sabbath 1821–1823, 140cm × 438cm, Museo del Prado. Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823).