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The split stroke is a style of playing the ukulele which is peculiar to the George Formby style of playing. [1] It is a syncopated rhythm where the player will strike all of the strings, and then on the return, catch the first string, and then before starting again hit the last string: (Example is the chord 'C') 3..3 0 0 0..-..0
Inspired by the Tahitian ukulele, there is the Motu Nui variant, from France, which has just four strings made from fishing line and the hole in the back is designed to produce a wah-wah effect. [citation needed] Mario Maccaferri invented an automatic chording device for the ukulele, called Chord Master.
"Ukulele Lesson" 78 rpm disc label. Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
It is similar in shape and tuning to the ukulele, but their character and playing technique are vastly different. It is tuned in a similar fashion to the traditional D tuning of the ukulele, but the A and B are an octave lower. Consequently, the same fingering can be used to shape the chords, but it produces a different inversion of each chord. [1]
More movable chord-shapes. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. [6] In every regular tuning, for example in all-fourths tuning, chords and intervals can be moved also diagonally.
Competing products were sold under labels such as Noteless Player by Ferry & Co. [1] [2] These devices allowed a ukulele player to easily play chords simply by choosing the mechanical button on the device labeled for the desired chord, and depressing it, causing mechanical levers to fret each string at the proper place to compose a chord. [3]
Most barre chords are "moveable" chords, [1] as the player can move the whole chord shape up and down the neck. [2] Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord.
The fretting hand can also mute the strings on the fretboard to damp a chord, creating staccato and percussive effects. In reggae and ska , a few staccato "chops" are played per bar. In funk rhythm playing, the strumming hand keeps a fairly steady motion in 16th notes , while the left hand, basically holding down a jazz chord damps some of them ...
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