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Frank Lloyd Wright used zinc came for his stained glass windows. [10] Beveled glass work is generally done in zinc came, primarily because of its ability to manage the weight of heavy plate glass; whereas beveled glass works made of lead came are much more likely to buckle or sag over time. [13]
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
The resulting solid panel is quite durable and appropriate for architectural settings or outdoor panels. [ citation needed ] The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Henry Willet created the first sculptured gold window between 1948–49. When first devised, the sculptured gold overlay was based on leaded stained glass windows. Later, faceted glass set in epoxy resin was used. These glasses, about an inch in thickness, but possibly up to two inches for special effects, contribute great brilliance of color ...
Main article: Christopher Whall This is a list of the stained glass works of Christopher Whall (1849–1924) in cathedrals and minsters, reflecting Whall's intent to reflect the inspiration of nature in this art. To experience the Lady Chapel is rather like being inside a great jewelled casket, for the glazing combines a profusion of deep, vibrant colours with a sparkling, silvery framework of ...
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