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Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Triptych inspired by the Oresteia of Aeschylus (Oil on canvas, 198 x 147.5 cm (78 x 58 in), Astrup Fearnley Museum of Modern Art, Oslo) (large triptych) 1981–82. Triptych November 1981 – January 1982 (left panel) (Oil, pastel and transfer lettering on canvas, 198 x 147.5 cm, Private collection, the Estate of Francis Bacon) [75] 1982
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
Thirty-two years on from Bacon’s death, this major exhibition featuring 58 paintings is an opportunity to assess if the artist described by Margaret Thatcher as “the man who does those ...
This work is among Bacon's most important, and, containing characteristics of both, is seen by critics as a divider between his early "raw" work, and the later, more clinically observed triptychs. The Irish-born artist Francis Bacon (1909–1992) painted 28 known [ 1 ] triptychs between 1944 and 1986. [ 2 ]
This work was the first painting Bacon was happy with and was an instant critical success. The themes it explores reoccur and are re-examined in many of his later panels and triptychs. The Irish-born British artist Francis Bacon (1909–1992) painted 28 known large triptychs between 1944 and 1985–86. [1]
Figure with Meat is a 1954 painting by the Irish-born artist Francis Bacon.The figure is based on the Pope Innocent X portrait by Diego Velázquez; however, in the Bacon painting the Pope is shown as a gruesome figure and placed between two bisected halves of a cow.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.
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