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2. The New Grove Dictionary of Opera - Wikipedia

   en.wikipedia.org/wiki/The_New_Grove_Dictionary...

   In 1997, the dictionary was acquired by Oxford University Press and reprinted. [8] [9] The dictionary was originally available online in a web version of its original form [10] but has now been merged as part of Oxford's Grove Music Online which comprises the range of Grove Dictionary titles with some ongoing revisions. [11]

3. Guillaume Lasceux - Wikipedia

   en.wikipedia.org/wiki/Guillaume_Lasceux

   Grove Music Online. Oxford Music Online. 17 Jul. 2009. Guillaume Lasceux, Essai théorique et pratique [2] (1809); introduction by Jean Saint-Arroman, fac-simile Jean-Marc Fuzeau, series Dominantes, Bressuire (France), 2011. Guillaume Lasceux.

4. Viola Concerto (Bartók) - Wikipedia

   en.wikipedia.org/wiki/Viola_Concerto_(Bartók)

   Music in New Zealand, no. 21 (Winter 1993): 26–27. Maurice, Donald. Bartók's Viola Concerto: The Remarkable Story of His Swansong. New York: Oxford University Press, 2004. ISBN 0-19-515690-0; Serly, Tibor. "A Belated Account of the Reconstruction of a 20th-Century Masterpiece". College Music Symposium 15 (Spring 1975): 7–25.

5. Entertainment & The Latest Music News - AOL.com

   www.aol.com/music

   Get breaking entertainment news and the latest celebrity stories from AOL. All the latest buzz in the world of movies and TV can be found here.

6. Symphony No. 8 (Mahler) - Wikipedia

   en.wikipedia.org/wiki/Symphony_No._8_(Mahler)

   The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name.

7. Baryton trios (Haydn) - Wikipedia

   en.wikipedia.org/wiki/Baryton_trios_(Haydn)

   Jones, David Wyn (2009) Baryton music. In David Wyn Jones, ed., Oxford composer companions: Haydn, pp. 14–17. Oxford: Oxford University Press. Pamplin, Terence (2000) The influence of the bandora on the origin of the baroque baryton. The Galpin Society Journal 53: 221-232. Lucy Robinson's evaluation appeared in The Musical Times (1981), p. 540.