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The Chinese Student Protection Act of 1992 was passed on May 21, 1992, by the Senate, and passed by the House of Representatives on August 10, 1992. President George H. W. Bush signed it into law on October 9, 1992. The Chinese Student Protection Act became Public Law 102-404, 106 Stat. 1969.
Zhou Fengsuo was a physics student at Tsinghua University and a member of the Standing Committee of the Beijing Students Autonomous Federation during the protests. [10] Fengsuo was turned in by his sister and arrested on June 13, 1989, in Xi'an. [ 11 ] [ 10 ] He was imprisoned for one year before being released in 1990 due to international ...
The Chinese Students and Scholars Association (CSSA; Chinese: 中国学生学者联合(谊)会; pinyin: zhōngguó xuéshēng xuézhě liánhé (liányí) huì) is the official organization for overseas Chinese students and scholars registered in most colleges and universities outside of the People's Republic of China. The associations in ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Nyaa Torrents (named for the Japanese onomatopoeia for a cat's meow) is a BitTorrent website focused on East Asian (Japanese, Chinese, and Korean) media. It is one of the largest public anime -dedicated torrent indexes .
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
Four Masters of Wu (simplified Chinese: 吴门四家; traditional Chinese: 吴門四傢; pinyin: Wúmén Sìjiā): all four came from the region of Wu, which surrounds the city of Suzhou [6] The "Four Masters" designation was first used in the mid-Ming dynasty, probably during the Jiajing era, and has continued to be applied since then.
The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.