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Danny Kaye (born David Daniel Kaminsky; Yiddish: דוד־דניאל קאַמינסקי; January 18, 1911 – March 3, 1987) was an American actor, comedian, singer, and dancer.
The Five Pennies is a 1959 American biographical music drama film in VistaVision and Technicolor starring Danny Kaye as jazz cornet player and bandleader Loring "Red" Nichols. Other cast members include Barbara Bel Geddes, Louis Armstrong, Harry Guardino, Bob Crosby, Bobby Troup, Susan Gordon, and Tuesday Weld. The film was directed by Melville ...
The Court Jester is a 1955 American historical musical comedy film starring Danny Kaye, Glynis Johns, Basil Rathbone, Angela Lansbury and Cecil Parker.The film was written, produced, and directed by Melvin Frank and Norman Panama for distribution by Paramount Pictures. [2]
Wonder Man is a 1945 supernatural musical film directed by H. Bruce Humberstone and starring Danny Kaye and Virginia Mayo. It is based on a short story by Arthur Sheekman, adapted for the screen by a staff of writers led by Jack Jevne and Eddie Moran, and produced by Samuel Goldwyn. Mary Grant designed the film's costumes.
A Song Is Born (also known as That's Life), [4] starring Danny Kaye and Virginia Mayo, is a 1948 Technicolor musical film remake of Howard Hawks' 1941 movie Ball of Fire with Gary Cooper and Barbara Stanwyck.
A studio cast recording of the film's songs was released by Decca, with Danny Kaye and Jane Wyman, as well as a backup chorus singing the songs. The album also included two Sylvia Fine originals made specifically for the album, "Uncle Pockets" and "There's a Hole at the Bottom of the Sea", and Danny Kaye's narration of two Tubby the Tuba ...
"Civilization", performed by Danny Kaye and the Andrews Sisters, is featured on the in-game Galaxy News Radio in the 2008 video game Fallout 3, which takes place in a post-apocalyptic, retro-futurist United States in the year 2277 in the ruins of Washington D.C. [5] The song is also included on Diamond City Radio in Fallout 4, the fifth major ...
The Danny Kaye Show featured singing, instrumental music, and various kinds of comedy sketches. [2] In Nobody's Fool, Martin Gottfried wrote about the program: "Everything about it was to be top drawer, beginning with Kaye's then record salary of $16,000 a week (compared to the $100 apiece he had been paid for three minor CBS radio shows in 1940)."