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Then, in 1966, he played an explosives expert in the western The Professionals. In 1970, Lancaster starred in the box-office hit, air-disaster drama Airport. He experienced a career resurgence in 1980 with the crime-romance Atlantic City, winning the BAFTA for Best Actor and landing his fourth Oscar nomination.
Cattle Annie and Little Britches is a 1981 American Western film starring Burt Lancaster, John Savage, Rod Steiger, Diane Lane, and Amanda Plummer, based on the lives of two adolescent girls in late 19th-century Oklahoma Territory, who became infatuated with the Western outlaws they had read about in Ned Buntline's stories, and left their homes to join the criminals.
The Unforgiven is a 1960 American Western film directed by John Huston, and starring Burt Lancaster and Audrey Hepburn. Filmed in Durango, Mexico, the supporting cast features Audie Murphy, Charles Bickford, Lillian Gish, John Saxon, Joseph Wiseman, Doug McClure and Albert Salmi. The story is based on the novel The Unforgiven (1957) by Alan Le May.
The Professionals is a 1966 American Western film written, produced, and directed by Richard Brooks and starring Burt Lancaster, Lee Marvin, Robert Ryan, Woody Strode, with Jack Palance, Claudia Cardinale and Ralph Bellamy in supporting roles. The script was adapted from the 1964 novel A Mule for the Marquesa by Frank O'Rourke.
The Hallelujah Trail is a 1965 American Western epic mockumentary spoof directed by John Sturges, with top-billed stars Burt Lancaster, Lee Remick, Jim Hutton and Pamela Tiffin. It was based on the book of the same title (originally released as "The Hallelujah Train") by Bill Gulick in 1963.
Burton Stephen Lancaster (November 2, 1913 – October 20, 1994) was an American actor. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-year career in films and television series.
The Scalphunters is a 1968 American Western film starring Burt Lancaster, Ossie Davis and Telly Savalas. The film was directed by Sydney Pollack, with the score written by Elmer Bernstein. Davis was nominated for a Golden Globe for Best Supporting Actor for his performance in the film.
Howard Thompson of The New York Times called the film "a potent but curiously exasperating Western" with "a baffling, oblique arrogance about the central character, played well by Lancaster, that belies his seeming quest for justice ('the law is the law'), the point of the film. But he is also a cold, egocentric fish."
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