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Wide shot; Medium shot; Two shot; Medium close-up; Close-up; Extreme close-up; Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle ...
Medium shots are divided into singles (a waist-high shot of one actor), group shots, over-the shoulders or two-shots (featuring two people). [6] A medium wide shot, or American shot, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.
Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face.
Low angle shots in which the camera is pointed up at a subject tend to make the subject appear more powerful or stronger. While high angle shots can make a subject appear weaker. These interpretations of camera angles, however, ultimately derive from the notion that bigger is better. The lateral movement of a subject across the screen can also ...
The master shot is filmed first, since coverage must match what occurs in the master. [5] Coverage consists of all the other shots—close-ups, medium shots, point-of-view shots, shot reverse shots, and others—required by the director to tell the story. All of these shots must obey the 180-degree rule. [17] "Call" (the shot of the first actor ...
A "wide two shot" is a master shot showing two people using a wider lens, including an overview of their surroundings. A "close two shot" is a close-up with two people's heads in the frame, shot with a long lens. This framing is often used for shots of two people kissing or in moments of great dramatic tension.
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This image makes the Paranal Observatory's laser guide stars "meeting point" feel closer than it really is. In reality, the beams extend to an infinite distance. Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is.