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Susanna and the Elders by Artemisia Gentileschi. Susanna (/ s u ˈ z æ n ə /; Hebrew: שׁוֹשַׁנָּה, Modern: Šōšanna, Tiberian: Šōšannā: "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches.
The two elders then falsely accused Susanna of adultery – a crime that was punishable by death. [1] When Daniel, a wise young Hebrew man, questioned them separately, details in the two elders' stories did not match. [3] Their conflicting stories revealed the falsehood of their testimony, thus clearing Susanna's name. [3]
Susanna and the Elders is a painting by the Italian artist Artemisia Gentileschi. It is signed with Gentileschi's name and the date of 1622. The painting is in the collection at Burghley House near Stamford, Lincolnshire, England. Gentileschi depicted the story of Susanna from the Book of Daniel in several paintings.
Susanna and the Elders, 1610 by Artemisia Gentileschi. Susanna and the Elders is an Old Testament story of a woman falsely accused of adultery after she refuses two men who, after discovering one another in the act of spying on her while she bathes, conspire to blackmail her for sex. Depictions of the story date back to the late 3rd/early 4th ...
The story of Susanna and the Elders, placed before chapter 1 in some Greek versions and after chapter 12 in others; The story of Bel and the Dragon , placed at the end of the book. The Book of Daniel is preserved in the 12-chapter Masoretic Text and in two longer Greek versions, the original Septuagint version, c. 100 BCE , and the later ...
Susanna and the Elders: before Daniel 1:1, a prologue in early Greek manuscripts; chapter 13 in the Vulgate. This episode, along with Bel and the Dragon, is one of "the two earliest examples" of a detective story, according to Christopher Booker.
Susanna and the Elders is a 1652 painting by the Italian artist Artemisia Gentileschi.It currently hangs in the Pinacoteca Nazionale, Bologna.The painting, over two metres broad, was completed in collaboration with Gentileschi's pupil Onofrio Palumbo - documents relating to the sale of the painting mention a payment to Palumbo.
The tale of Susanna tells how Daniel saves the reputation of a young Jewish married woman when two lecherous Jewish elders condemn her to death, supposedly for unchastity, but actually because she resisted their advances. Daniel's clever cross-examination unmasks their evil and leads to their deaths.