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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
A poet shirt (also known as a poet blouse or pirate shirt) is a type of shirt made as a loose-fitting blouse with full bishop sleeves, usually decorated with large frills on the front and on the cuffs. [1] Typically, it has a laced-up V-neck opening, designed to pull over the head, but can have a full-length opening fastened by buttons.
In the early 1970s, it became common to leave top buttons on shirts and blouses open to display pectoral muscles and cleavage. [165] Daring women and men of all ages wore tailored, buttoned-down shirts that were open from the breast-point to the navel in a " groovy " style, with pendants, beads or medallions dangling on the chest, displaying a ...
A daguerreotype of a Victorian couple from the 1840s showing a pelerine. Riding habits consisted of a high-necked, tight-waisted jacket with long snug sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. Contrasting waistcoats or vests cut like those worn by men were briefly popular.
Necklines on dresses became deeper as time went on allowing for greater display of ornamentation on the neck area. A thick band of lace was often sewn onto the neckline of a gown with ribbons, flowers, and/or jewels adorning the lace. Jewelry such as strings of pearls, ribbons, or lace frills were tied high on the neck. Finally, one other large ...
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