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Seal oil lamps. The Inuit oil lamps were made mainly of soapstone, but there are also some made of a special kind of pottery. [12] Sizes and shapes of lamps could be different, but most were either elliptical or half-moon shaped. [13] The taqquti or wick trimmers, also known as lamp feeders, were made of wood, willow, soapstone, bone or ivory. [14]
The andon is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. [1] The paper protected the flame from the wind. Burning oil in a stone, metal, or ceramic holder, with a wick of cotton or pith, provided the light. They were usually open on the top and bottom, with one side that could be lifted to provide access. [2]
Changxin Palace lantern changed the style of the old bronze vessels which was mystery, the whole shape and the style of decoration seemed to stretch freely, light and magnificent. It is a practical and beautiful lamp treasures. The maid in the statue is hollow, her right arm and empty sleeves form a copper lamp shade can freely open and close.
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
On 1st Dibs, a pair of these lamps are listed for $1,900, a far cry from their original, double-digit price tag in the 1980s. Guide Shelving Unit by Niels Gammelgaard, 1980s
Today, torchère lamps use fluorescent, halogen, or LED light bulbs. Adjusting the pulse-width modulation in the electronic ballast can allow the fluorescent torchères to be dimmed. Halogen torchères usually came with a simple switch. Some more expensive models have a TRIAC dimmer circuit built into the stem. Early lamps with 300W bulbs ...
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