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Some may find classical music entertaining, while others prefer ambient music for relaxation. Cultural background can also shape an individual's perception and response to music stimuli. The concept of music and sleep, although applicable to the general population, needs to take into account these differences to tailor each individual's taste.
The Music Lovers is a 1971 British drama film directed by Ken Russell and starring Richard Chamberlain and Glenda Jackson.The screenplay by Melvyn Bragg, based on Beloved Friend, a collection of personal correspondence edited by Catherine Drinker Bowen and Barbara von Meck, focuses on the life and career of 19th-century Russian composer Pyotr Ilyich Tchaikovsky.
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.It is used by listeners for yoga, massage, meditation, [1] and reading as a method of stress management [2] to bring about a state of ecstasy rather than trance, [3] [4] or to create a peaceful atmosphere in homes or other environments.
Whiplash (Original Motion Picture Soundtrack) is the soundtrack album to the 2014 film Whiplash, directed by Damien Chazelle.The soundtrack was released on October 7, 2014, by Varèse Sarabande and features 24 tracks, which were split into three parts.
A Heart in Winter; A Heart Returns Home; Herschel und die Musik der Sterne; Hilary and Jackie; The House of Three Girls (1918 film) The House of Three Girls (1958 film) Humoresque (1920 film) Humoresque (1946 film) Hungarian Rhapsody (1954 film)
Helen Jane Long (born 10 April 1974) is a British composer, musician and pianist, best known for various advertisement contracts, work on several film projects in a variety of genres, and contemporary-classical piano albums, Embers (2010) (BLE) and Porcelain (Warner Music Group).
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Wagnerism: Art and Politics in the Shadow of Music. New York: Farrar, Straus and Giroux. ISBN 9780374285937; Sangild, Torben (2015). "Buñuel's Liebestod – Wagner's Tristan in Luis Buñuel's early films: Un Chien Andalou and L'Âge d'Or", in JMM: The Journal of Music and Meaning, vol. 13, 2014/2015, pp. 20–59. Retrieved 16 August 2017.