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In 1504 Leonardo da Vinci was given the commission by gonfaloniere Piero Soderini, a contract signed by Niccolò Machiavelli, to decorate the Palazzo Vecchio's Salone dei Cinquecento (Hall of the Five Hundred). At the same time his rival Michelangelo, who had just finished his David, was designated the opposite wall. This was the only time that ...
The other wall was to have a painting by Michelangelo depicting an earlier Florentine victory at the Battle of Cascina in 1364. A 1687 relief sculpture depicting the battle by Baroque artist Giovanni Battista Foggini in Santa Maria del Carmine, Florence depicts Saint Andrew Corsini guiding the Florentine forces to victory.
In The Guardian Hollie Richardson called it a "classy documentary drama series". [9] Anita Singh in The Daily Telegraph praised the performance of Dance as Michelangelo, describing him as "great, bringing all the gravitas and wisdom you would expect", but questioned the decision not to have speaking parts for the actors portraying Leonardo da Vinci or Raphael. [10]
Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. [3] Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century.
The work was commissioned from Michelangelo by Piero Soderini, statesman of the Republic of Florence. It was intended for a wall of the Salone dei Cinquecento in the Palazzo Vecchio. The opposite wall was to be decorated by Leonardo da Vinci, who was commissioned to depict the Battle of Anghiari. [2]
Leonardo da Vinci's treatise on painting, observing the difficulty of painting and supremacy of sight, is a notable example of literature on the subject. Bendetto Varchi further sparked the conversation between artists in 1546 by sending out letters inviting opinions. [2] [6] Painters and sculptors each vied for their respective side in the ...
The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In the 21st century, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only ...
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...