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L'estro armonico (the harmonic inspiration) was published as Antonio Vivaldi's Op. 3 in Amsterdam in 1711 and dedicated to Ferdinando de'Medici, Grand Prince of Tuscany under the title of "Ferdinando III" . Vivaldi's Opp. 1 and 2 had only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was ...
L'estro armonico, Op. 3 No. 1 Concerto: 4 violins, strings: E minor: 550: L'estro armonico, Op. 3 No. 4 Concerto: 4 violins, strings: B-flat major: 553: Concerto: Violin (echo), 2 violins, strings: A major: 552 "con violino principale con altro per eco in lontano" ("with a solo violin and a violin in distant echo") Concerto: 4 violins, cello ...
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Title page Dedication page. La stravaganza [literally 'Extravagance'] (The Eccentricity), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, [1] who had been a violin student of Vivaldi's. [2]
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. They were in two volumes, each containing concertos numbered 1-6.
Antonio Vivaldi's Concerto for Two Cellos in G minor, RV 531 [1] is a concerto for two cellos, string orchestra and basso continuo in three movements, believed to have been composed in the 1720s. It is Vivaldi's only concerto for two cellos, and begins unusually with an entry of the solo instruments alone.
La Cetra, Op.9. La cetra, Op. 9, is a set of twelve violin concertos by Antonio Vivaldi, published in 1727.All of them are for violin solo, strings, and basso continuo, except No. 9 in B flat, which features two solo violins.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.