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The Four Jewels" also refers to the cities, but appears to locate them at Lochlann and contends that the Tuatha Dé crossed the seas in their fleet rather than in a mist. The Tuatha Dé Danann—described as the offspring of Béothach son of Iarbonel—landed here to be instructed in the magic arts, embracing druidry ( druidecht ), knowledge ...
The Jewels of the Order of St Patrick, commonly called the Irish Crown Jewels, were the heavily jewelled badge and star created in 1831 for the Grand Master of the Order of St Patrick, an order of knighthood established in 1783 by George III to be an Irish equivalent of the English Order of the Garter and the Scottish Order of the Thistle.
The Tuatha Dé Danann as depicted in John Duncan's Riders of the Sidhe (1911). The Tuatha Dé Danann (Irish: [ˈt̪ˠuə(hə) dʲeː ˈd̪ˠan̪ˠən̪ˠ], meaning "the folk of the goddess Danu"), also known by the earlier name Tuath Dé ("tribe of the gods"), [1] are a supernatural race in Irish mythology.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The Irish word fir means "men" and the word bolg/bolc can mean a belly, bag, sack, bellows, and so forth. Kuno Meyer and R. A. Stewart Macalister argue that the name comes from the term Fir i mBolgaib , meaning " breeches wearers", literally "men in (baggy) breeches", which could be interpreted as a term of contempt for the "lower orders".
"Annular" means formed as a ring and "penannular" formed as an incomplete ring; both terms have a range of uses. "Pseudo-penannular" is a coinage restricted to brooches, and refers to those brooches where there is no opening in the ring, but the design retains features of a penannular brooch—for example, emphasizing two terminals.
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The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
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