Search results
Results from the WOW.Com Content Network
Drop Me Off in Harlem" is a 1933 song composed during the Harlem Renaissance composed by Duke Ellington, with lyrics written by Nick Kenny. [ 1 ] A.H. Lawrence writes that the song originated from an off the cuff remark from Ellington.
Duke Ellington gained popularity during the Harlem Renaissance. According to Charles Garrett, "The resulting portrait of Ellington reveals him to be not only the gifted composer, bandleader, and musician we have come to know, but also an earthly person with basic desires, weaknesses, and eccentricities."
Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound via the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and saxophone blues licks of the band members.
Herman Stark then became the stage manager. Harlem producer Leonard Harper directed the first two of three opening night floor-shows at the new venue. Cotton Club dancer Mildred Dixon – Duke Ellington's second companion. The Cotton Club was a whites-only establishment with rare exceptions for black celebrities such as Ethel Waters and Bill ...
From the clubs of Harlem to the cabarets of Paris, the music of the Harlem Renaissance had global appeal. This Miami Beach music festival shows how the Harlem Renaissance took Europe by storm Skip ...
Harlem is a symphonic jazz composition by the American composer Duke Ellington. Originally commissioned by Arturo Toscanini in 1950 as part of a larger New York City–inspired orchestral suite, Toscanini never conducted it.
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Harlem Jazz, 1930 was welcomed in Billboard magazine: . The spontaneous jazz of the early and turbulent '30s, in the speakeasy era when the New York Harlem sector jumped and Duke Ellington reigned supreme and most rhythmically at the Cotton Club, this package of eight sides represents still another chapter in the history of jazz... the selected sides bring back the memories of the reckless ...