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Light Art is a fairly new construction, as a mirror translation from Dutch or German: Lichtkunst. The pioneers of light art, being devoted to it, felt the necessity to give it certain names in order to distinguish their art from any other genres of art like painting, sculpture or photography.
Since "visual appearance" is a general concept that includes also various other visual phenomena, such as color, visual texture, visual perception of shape, size, etc., the specific aspects related to how humans see different spatial distributions of light (absorbed, transmitted and reflected, either regularly or diffusely) have been given the ...
Diffuse interreflection is a process whereby light reflected from an object strikes other objects in the surrounding area, illuminating them. Diffuse interreflection specifically describes light reflected from objects which are not shiny or specular. In real life terms what this means is that light is reflected off non-shiny surfaces such as ...
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
That is, given a specific image, to determine a surface whose refracted or reflected light forms this image. In the discrete version of this problem, the surface is divided into several micro-surfaces which are assumed smooth, i.e. the light reflected/refracted by each micro-surface forms a Gaussian caustic.
Defined as the ratio of the specularly reflected light to that diffusely reflected normal to the surface; Absence of bloom – the perceived cloudiness in reflections near the specular direction; Defined as a measure of the absence of haze or a milky appearance adjacent to the specularly reflected light: haze is the inverse of absence-of-bloom
Reflection of light is either specular (mirror-like) or diffuse (retaining the energy, but losing the image) depending on the nature of the interface.In specular reflection the phase of the reflected waves depends on the choice of the origin of coordinates, but the relative phase between s and p (TE and TM) polarizations is fixed by the properties of the media and of the interface between them.
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...