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This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. In Nongak, the person who beats a kkwaenggwari is called Sangsoe (상쇠) or Busoe (부쇠).
The jing [1] (Korean: 징) is a large gong used in traditional Korean music, particularly in samul nori, pungmul, and daechwita to keep beat. It is usually made from high-quality brass and is struck by a stick that is layered with cloth at one end to soften the texture of the sound produced.
It is a modern adaptation of traditional Korean musics, namely the ritual farming music nongak and Korean shamanic music muak, for the indoor stage. As per its name, samul nori is performed with four traditional Korean musical instruments: a small gong kkwaenggwari, the larger gong jing, an hourglass-shaped drum janggu; and a barrel drum called ...
Buk, Korean traditional drum. Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments.
A gong [note 1] is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet.
The janggu (Korean: 장구, also transliterated as janggo or changgo) or seyogo (세요고; 細腰鼓; lit. slim waist drum) is a drum often used in traditional Korean music. [1] [2] It consists of an hourglass-shaped body with two heads made from various types of leather. [2]
Female performer with five-gong yunluo, from Chinese engraving. The yunluo (simplified: 云锣; traditional: 雲鑼 pinyin: yúnluó, [y̌nlu̯ɔ̌]; literally "cloud gongs" or "cloud of gongs"), is a traditional Chinese musical instrument. [1] It is made up of a set of gongs of varying sizes held within a frame.
The pat kon consists of about a dozen (10 - 15) gongs mounted in a vertical crescent-shaped wooden frame. [1] It produces the same range of pitches as the more common gong circles (such as the Kong toch and khong wong), but rather than resting on the ground, the wooden frame of this instrument extends into the air in the shape of a horseshoe.