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A number of makers have also produced double neck basses with an 8-string bass neck (double courses, tuned in octaves like a 12-string guitar) on top and a 4-string bass neck on the bottom. Double neck basses with various other combinations exist, such as 4-string/6-string and 4-string/5-string.
A model with a 4-string bass and a 6-string guitar neck was called the EBS-1250; it had a built-in fuzztone and was produced from 1962 to 1968 and again from 1977 to 1978. [ 4 ] In 1963, the solid-body EDS-1275 was designed, resembling the SG model ; this version of the doubleneck was available until 1968. [ 5 ]
Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either added high and low strings. Guitar, bass (8-string) 8 strings 4 courses. E 2 E 1 •A 2 A 1 •D 3 D 2 •G 3 G 2: Eight-string bass guitar, 8-string bass US Essentially a 4-string bass with each string doubled at the upper octave. Guitar, bass (12 ...
The bass (or F) clef is used for most double bass music. The lowest note of a double bass is an E 1 (on standard four-string basses) at approximately 41 Hz or a C 1 (≈33 Hz), or sometimes B 0 (≈31 Hz), when five strings are used.
EMS–1235 Double Mandolin (mandolin [31] or short neck guitar [32] & normal guitar, hollow-body (1958–1962) or solid-body (1962-)) EBSF–1250 Double Bass (4 string bass & guitar, built-in fuzz effect) [33] EBS–1250 Double Bass (6 string bass & guitar) [31] [33] EDS–1250 (6 string bass & 4 string bass) Barney Kessel (1961–1974) Barney ...
Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
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A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass).