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Danilo Aleksandar Petrović-Njegoš (Serbian Cyrillic: Данило Александар Петровић-Његош; 29 June 1871– 24 September 1939) was the Crown Prince of Montenegro. He was the eldest son of King Nicholas I of Montenegro and Queen Milena Vukotić .
Danilo I Petrović-Njegoš (Serbian Cyrillic: Данило I Петровић-Његош; 25 May 1826 – 13 August 1860) was the ruling Prince of Montenegro from 1851 to 1860. The beginning of his reign marked the transition of Montenegro from a traditional theocratic form of government ( Prince-Bishopric ) into a secular Principality .
In 1697, the office was made hereditary in the Petrović-Njegoš family. [15] However, since Orthodox bishops are required to be celibate, the crown passed from uncle to nephew. In 1852, Prince-Bishop Danilo II opted to marry and to secularize Montenegro, becoming Prince Danilo I. [15] [16] His successor, Nikola I, raised Montenegro to a ...
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A change was introduced by Danilo I, who declined the episcopal office, married and declared the principality hereditary in the direct male line. Mirko Petrović-Njegoš having renounced his claim to the throne, his son was nominated heir-presumptive, and the old system of succession was thus incidentally continued.
The Master and Margaret (Serbo-Croatian: Мајстор и Маргарита, Majstor i Margarita, Italian: Il maestro e Margherita) is a 1972 Italian-Yugoslav fantasy drama film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
A BitTorrent tracker is a special type of server that assists in the communication between peers using the BitTorrent protocol.. In peer-to-peer file sharing, a software client on an end-user PC requests a file, and portions of the requested file residing on peer machines are sent to the client, and then reassembled into a full copy of the requested file.
Petrović found inspiration for this film in Fyodor Dostoyevsky's novel The Possessed. [6] The film was nominated for a Palme d'Or (Golden Palm) at the 1969 Cannes Film Festival [7] In 1973, Petrović was forced to leave his post at the Belgrade Film Academy after being accused of holding anti-communist views by the communist government of ...