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A map of France in 1843 under the July Monarchy. By the French Revolution, the Kingdom of France had expanded to nearly the modern territorial limits. The 19th century would complete the process by the annexation of the Duchy of Savoy and the County of Nice (first during the First Empire, and then definitively in 1860) and some small papal (like Avignon) and foreign possessions.
This is a non-diffusing subcategory of Category:19th-century French people. It includes French people that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories
In the middle of the 19th century, Marianne was usually portrayed in France as a young woman, but by late 19th century, Marianne was more commonly presented as a middle aged, maternal woman, reflecting the fact that the republic was dominated by a centre-right coalition of older male politicians, who disliked the image of a militant young ...
Journal of Women's History 28.4 (2016): 134–143, deals with French nuns in 19th century. Diamond, Hanna. Women and the Second World War in France 1939-1948: Choices and Constraints (1999) Foley, Susan. Women in France Since 1789 (NYU, 2004)
This is a non-diffusing parent category of Category:19th-century French Jews and Category:19th-century French LGBTQ people and Category:19th-century French women The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
The 19th century saw France expanding to nearly its modern territorial limits through annexations and overseas imperialism, notably in Algeria, Indochina, and Africa. Despite territorial gains, France faced challenges, including a slow population growth, compared to its European neighbors, and a late industrialization that saw a shift from ...
The Twilight of the goddesses: Women and Representation in the French Revolutionary Era (1992) Heuer, Jennifer Ngaire. The Family and the Nation: Gender and Citizenship in Revolutionary France, 1789-1830 (2005) excerpt and text search; Hufton Olwen, Women and the Limits of Citizenship in the French Revolution (2nd ed 1999) 236pp.
Women artists became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". [26] In the late 19th century, Charles Dana Gibson depicted the "New Woman" in his piece, The Reason Dinner was Late, which shows a woman painting a policeman. [27] [28]