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The Christian Crusaders also held territory in regions of the Islamic world, and ruled over some Muslim populations. Crusader art is mainly a hybrid of Catholic and Byzantine styles, showing little Islamic influence; however, the Mozarabic art of Christians in Al Andalus seems to show considerable influence from Islamic art. Islamic influence ...
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843–1261. New York: The Metropolitan Museum of Art. ISBN 978-0-8109-6507-2. Hein, David. “Christianity and the Arts.” The Living Church, May 4, 2014, 8–11. The Vatican: spirit and art of Christian Rome. New York: The Metropolitan Museum of Art. 1982.
The term Mudéjar also can be translated from Arabic as "one permitted to remain", which refers to the Christians allowing Muslims to remain in Christian Iberia. Another term with the same meaning, ahl al-dajn ("people who stay on"), was used by Muslim writers, notably al-Wansharisi in his work Kitab al-Mi'yar. [6]
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
The bulk of the exhibition was of secular art works and the presentation focused on their artistic value rather than religious messages. The exhibitions emphasise links between the Abrahamic religions, highlighting art works made by Jews and Muslims working together, as well as works that depict figures from all three religions. [101]
Mudéjar art is valuable in that it represents peaceful co-existence between Muslims and Christians during the medieval era, [2] although all Muslims and Jews in Spain eventually were forced to convert to Christianity or exiled between the late 15th century and the early-to-mid 16th century.
Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [164] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [165] Moreover, the Umayyads did not come from a cultural void and were aware of their own Arabian cultural history.