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Hindi dance music encompasses a wide range of songs predominantly featured in the Hindi cinema with a growing worldwide attraction. The music became popular among overseas Indians in places such as South Africa, Mauritius, Fiji, the Caribbean, Canada, the United Kingdom, the Netherlands and the United States of America and eventually developed a global fan base.
Trilok Gurtu (born 30 October 1951) is an Indian percussionist and composer [1] whose work has blended the music of India with jazz fusion and world music. [2] [3] [4]He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, Stefano Bollani and Robert Miles.
Hindi: Ābhēri/ Bhimpalasi: Khilte Hain Gul Yahan [TH - A Raga's Journey 1] Sharmeelee: Sachin Dev Burman: Kishore Kumar & Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi ...
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
Papon performing in Incandescence at NIT Silchar, 10 February 2014. In 2007, Papon formed an electronic folk-fusion band called Papon and The East India Company. The band consists of Papon on vocals, Brin Desai and Hameem Kader on live electronics, Jinti on lead guitars, Kirti on percussion and Dipu on bass and Tanmay on Drums [15] [16] The six members came from backgrounds varying from ...
Songs in Hindi (7 C, 144 P) Songs in Kannada (9 P) ... Pages in category "Indian songs" The following 200 pages are in this category, out of approximately 237 total.
The term Indipop was first used by the British-Indian fusion band Monsoon in their 1981 EP release on Steve Coe's Indipop Records. [ 10 ] [ 11 ] Charanjit Singh 's Synthesizing: Ten Ragas to a Disco Beat (1982) anticipated the sound of acid house music , years before the genre arose in the Chicago house scene of the late 1980s, using the Roland ...
It is an experimental genre, fusing raga (traditional Indian tunes) with rock music, guitars and drums, sometimes using Indian folk songs. [3] It has also been described by some music critics as "Indo-rock fusion with jazz-spiced rhythms that integrates shlokas, sufism, environmentalism, mythology and revolution". [4]