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Blue Velvet is a 1986 American neo-noir mystery thriller film written and directed by David Lynch. Blending psychological horror [4] [5] with film noir, the film stars Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern, and is named after the 1951 song of the same name. The film concerns a young college student who, returning ...
Frank Booth is a fictional character and the main antagonist in David Lynch's 1986 psychological thriller Blue Velvet, portrayed by Dennis Hopper.A violent drug-dealer, he has kidnapped the family of lounge singer Dorothy Vallens, holding them hostage in order to force her into becoming his sex slave.
Blue Velvet is a 1986 American mystery film written and directed by David Lynch. The movie exhibits elements of both film noir and surrealism. The film features Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern. The title is taken from the 1963 Bobby Vinton song of the same name, which is featured in the film. Although ...
Blue Velvet Revisited is a 2016 documentary film directed and edited by Peter Braatz. Using a montage technique, it documents the making of David Lynch's critically acclaimed film, Blue Velvet, using a combination of filmed footage, photographs and interviews captured on set by Braatz, with an accompanying soundtrack by Cult With No Name, Tuxedomoon and John Foxx.
Dean Stockwell was a semi-successful b-movie actor in the 60's who dropped out of the public eye for 15-20 years until being cast in Blue Velvet. Blue Velvet lead Dean to a starring role in the TV series Quantum Leap.. 67.172.16.255 17:57, 20 May 2009 (UTC) The article does not state that Blue Velvet "kick-started Hopper's career".
The Velvet Underground soon found a more appreciative audience when artist Andy Warhol spotted them and set them up at the Factory, his Manhattan studio-and-happening space.
Lynch worked with Badalamenti for the first time in this film and asked him to write a score that had to be “like Shostakovich, be very Russian, but make it the most beautiful thing but make it dark and a little bit scary.” [3] Badalamenti would later go on to contribute to all of Lynch's future full-length films except for Inland Empire (2006).
The sets include stunningly orchestrated combinations of pickle green and tomato red; there are artfully shabby velvet couches and walls casually sponged with cobalt-blue paint.