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During the 20th century many theories addressed the issue, including the planetesimal theory of Thomas Chamberlin and Forest Moulton (1901), the tidal model of James Jeans (1917), the accretion model of Otto Schmidt (1944), the protoplanet theory of William McCrea (1960) and finally the capture theory of Michael Woolfson. [1]
Whittall's research areas have primarily been centred around the musical analysis of 20th-century music and aspects of the nineteenth-century, such as the music of Richard Wagner. He is Professor Emeritus of Musical Theory and Analysis at King's College London, having worked as Professor there between 1975 and 1996. [1]
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Dahlhaus in 1986. Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. [1] A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. [2]
The following Wikipedia articles deal with 20th-century music. Western art music. Main articles. 20th-century classical music; ...
Stefan M. Kostka (born 1939) [1] is an American music theorist, author, and Professor Emeritus of music theory at the University of Texas at Austin. [ 2 ] Education
An expert on Schenkerian theory, he also teaches traditional undergraduate music theory and musicianship, counterpoint, analysis, analysis of 20th-century music, and music-theory pedagogy. He is an internationally recognized expert on Hungarian composer Béla Bartók. In 1992, Yale University Press published his The Music of Béla Bartók. In ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...