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Francisco "Kenkoy" Harabas is a Philippine comics character created by writer Romualdo Ramos and cartoonist and illustrator Tony Velasquez in 1929. [1] Velazquez continued the strip for decades after Ramos' death in 1932. Kenkoy was seminal to Philippine comics and thus Velasquez is considered the founding father of the komiks industry. [2]
Hipo-hipo (Tag: "whirlwind" or "tornado" [1]) is regarded as the first Filipino superhero.Ipo-ipo was created by Lib Abrena and Oscar del Rosario in April 1947 as a reaction against Japanese military invaders who occupied the Philippines in World War II and refused to surrender even after the admission of defeat by Japan in 1945.
Two of the most popular Filipino writers of the early 21st century include Rin Chupeco, who made a name for herself publishing Young Adult fiction, many of which were inspired by Filipino mythology from Maria Makiling to the Mangkukulam; [28] and Louis Bulaong, who is an important figure in the GameLit genre, and one who popularized the use of ...
Pedro Penduko is a Filipino fictional comic book character created by National Artist for Literature Francisco V. Coching. The character, who is styled as a folk hero, debuted in the magazine Liwayway in 1954. In his numerous incarnations, Pedro Penduko is an ordinary human being with no superpowers.
The Panday (Filipino for smith) is a fictional Philippine comics character created by writer Carlo J. Caparas and artist Steve Gan.His stories were first serialized in the comic series Ang Panday ("The Smith") in Pilipino Komiks during the late 1970s.
Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events.Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.
In the novel, María Clara is regarded as the most beautiful and celebrated lady in the town of San Diego. A devout Roman Catholic, she became the epitome of virtue; "demure and self-effacing" and endowed with beauty, grace and charm, she was promoted by Rizal as the "ideal image" [1] of a Filipino woman who deserves to be placed on the "pedestal of male honour".