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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Paintings of the Post-Impressionist style. Subcategories. This category has the following 7 subcategories, out of 7 total. ... Cypresses (Metropolitan Museum of Art ...
Nineteenth-century movements of Post-Impressionism , Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting.
Albright-Knox Art Gallery, Buffalo, New York. Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. [1]
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As a direct outgrowth of Impressionism came the development of Post-Impressionism. Paul Cézanne, Vincent van Gogh, Paul Gauguin, Georges Seurat are the best known Post-Impressionists. Following the Impressionists and the Post-Impressionists came Fauvism, often considered the first "modern" genre of art.
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