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Tanaga is a type of Philippine poetry, traditionally in the Tagalog language, consisting of four lines with seven syllables each. It can also have rhymes schemes like AABB and ABAB. It can also have rhymes schemes like AABB and ABAB.
This poem comprises 2 stanzas, each with lines of 7, 8, 6, 8, 8, 5, and 9 syllables respectively. The indented lines rhyme. As in accentual-syllabic verse, there is some flexibility in how one counts syllables. For example, syllables with y- or w-glides may count as one or two syllables depending on the poet's preference.
Apart from Ottoman poetry, which was heavily influenced by Persian traditions [18] and created a unique Ottoman style, traditional Turkish poetry features a system in which the number of syllables in each verse must be the same, most frequently 7, 8, 11, 14 syllables. These verses are then divided into syllable groups depending on the number of ...
The characteristic of the ambahan of having seven syllables in a single line distinguishes it from other forms of poetry of the Hanunó'o Mangyans. This particular feature has exceptions; the first part of the ambahan may have more than seven syllables although this portion may not be considered as the poem proper and only serves as an ...
Unlike Yasuda, however, he recognized that 17 syllables in English are generally longer than the 17 on of a traditional Japanese haiku. Because the normal modes of English poetry depend on accentual meter rather than on syllabics, Henderson chose to emphasize the order of events and images in the originals. [35]
Poems can be written entirely in catalectic lines, or entirely in acatalectic (complete) lines, or a mixture, as in the following carol, composed by Cecil Frances Alexander in 1848. The 7-syllable lines are catalectic: Once in Royal David's city (8 syllables) Stood a lowly cattle shed, (7 syllables) Where a mother laid her Baby (8 syllables)
Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of on (often treated as, roughly, the number of syllables per unit or line): 5-7-5-7-7. [6] The 5-7-5 is called the kami-no-ku (上の句, "upper phrase"), and the 7-7 is called the shimo-no-ku (下の句, "lower phrase").
E. V. Arnold classified the hymns of the Rigveda into four periods, partly on the grounds of language and partly of metre. [16]In the earliest period, which he calls "Bardic", when often the names of the individual poets are known, a variety of metres are used, including, for example, a ten-syllable version of the triṣṭubh; some poems of this period also often show an iambic rhythm (ᴗ ...