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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Viva Las Vengeance (song) W. Waking the Demon; Wanted (Shimei Tehai) This page was last edited on 4 August 2022, at 08:37 (UTC). Text is available under the Creative ...
"Vengeance" is a song written and performed by American singer-songwriter Carly Simon. Produced by Arif Mardin , the song served as the lead single from Simon's eighth studio album, Spy (1979). Simon made a music video for the song, [ 1 ] and she became the second female solo artist to be featured on MTV's first day of the air . [ 2 ]
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Several reviews of Vengeance Falls highlighted "Strife" as the album's top track. [3]Dan Slessor of Alternative Press called "Strife" a "state-of-the-art metallic anthem." [4] Ridge Briel of New Noise Magazine described the song as "an anthemic Shogun-esque track, with soaring riffs and a thick bass tone that captures Trivium at one of the high points of the album."
A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu , seldom follows the textbook rules of any strict musical form .
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [ 1 ] and is used from time to time in modern American blues and blues rock .