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The late-medieval author Chaucer (c. 1343 –1400) observed "The lyf so short, the craft so long to lerne" ("The life so short, the craft so long to learn", the first line of the Parlement of Foules). [6] The first-century CE rabbi Tarfon is quoted as saying "The day is short, the labor vast, the workers are lazy, the reward great, the Master ...
"Life's a climb. But the view is great." There are times when things seemingly go to plan, and there are other moments when nothing works out. During those instances, you might feel lost.
The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
27. “Ignorance, the root and stem of all evil.” 28. “Be kind, for everyone you meet is fighting a harder battle.” 29. “For a man to conquer himself is the first and noblest of all ...
Socrates believed that a life devoid of introspection, self-reflection, and critical thinking is essentially meaningless and lacks value. This quote emphasizes the importance of self-awareness and questioning one's beliefs, actions, and purpose in life. [2]
Victorio Candido Edades (December 23, 1895 – March 7, 1985) was a Filipino painter.He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art.
"The Painter of Modern Life" (French: "Le Peintre de la vie moderne") is an essay written by French poet, essayist, and art critic Charles Baudelaire (1821–1867). It was composed sometime between November 1859 and February 1860, and was first published in three installments in the French morning newspaper Le Figaro in 1863: first on November 26, and then on the 28th, and finally on December ...
My Belief: Essays on Life and Art is a collection of essays by Hermann Hesse. The essays, written between 1904 and 1961, were originally published in German, either individually or in various collections between 1951 and 1973. This collection in English was first published in 1974, edited by Theodore Ziolkowski.
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