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Kubla Khan: or A Vision in a Dream (/ ˌ k ʊ b l ə ˈ k ɑː n /) is a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816.It is sometimes given the subtitles "A Vision in a Dream" and "A Fragment."
"The Negro Speaks of Rivers" is a poem by American writer Langston Hughes. Hughes wrote the poem when he was 17 years old and was crossing the Mississippi River on the way to visit his father in Mexico. The poem was first published the following year in The Crisis magazine, in June 1921, starting Hughes's literary career. "The Negro Speaks of ...
In a tweet from July 2024, Drew Daniel of electronic music duo Matmos described a fictional music genre he encountered in a dream entitled "hit em". Recounted to him by a nondescript woman in the dream, the genre is a type of electronic music "with super crunched out sounds" in a 5/4 time signature with a tempo of 212 beats per minute.
A dream vision or visio is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state.
God Makes the Rivers to Flow is an anthology of spiritual texts for use in meditation, assembled by Eknath Easwaran. Condensed versions have been published under the titles Timeless Wisdom (book) and Sacred Literature of the World (audio recording).
Margaret Allison Bonds (March 3, 1913 – April 26, 1972) [1] was an American composer, pianist, arranger, and teacher.One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American spirituals and frequent collaborations with Langston Hughes. [2]
The poem allows the reader to linger over the possibility of colors, strangeness and unusual dreams. Imagination that is absent from a mundane orderly life is represented by a dandified aesthete and an adventurous and exciting life by a drunken sailor dreaming of catching tigers in red weather. The poem's message is fairly simple.
I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .