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Having played violins from many manufacturers, Henley sought to compile a comprehensive list evaluating violin and bow makers. After Henley's death in 1957, dealer Cyril Woodcock (1897–1980) [1] completed and published the work based on Henley's unfinished notes. The work was first published in five volumes in 1959 and 1960, and republished ...
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Charles Jean Baptiste Collin-Mezin (1841–1923) was a French maker of violins, violas, cellos, basses and bows. He was an Officier de l'Académie des Beaux-Arts and won gold and silver medals at the Paris Exhibitions in 1878, 1889, and 1900.
Karel Jalovec (17 June 1892 in Prague, Austro-Hungarian Empire) was a Czechoslovak musicologist who compiled three reference books on violins and violin makers and a two-volume encyclopedia on violin makers.
Instrument label of Charles Mennégand. Charles Mennégand (19 June 1822 – 9 January 1885) was a French luthier and a repairer of violins, violas, and cellos. He is considered a superb 19th century French maker of cellos and is consistently counted among the handful of great French makers.
He then made some technical suggestions for mechanical improvements in violins, before moving on to discuss some old violin makers. After the paper Heinrich Dittmar, a violin treacher, [9] delighted the audience with violin solos. [10] April, 1907: Vincent J Cooper was to present a paper on The Common Sense of Old Violins. [11]
An E. H. Roth violin, Guarneri copy, Markneukirchen 1930 It was a policy of the Roth workshop in the days of Ernst Heinrich I to manufacture different grades of instruments for different budgets. For this reason, but also due to the size of the workshop's production and the many decades of its operation, the quality of Roth violins varies ...
John William Delany (Irish: Seán Ó Dubhshláine; 1769 – 1838) was an Irish luthier and maker of violins and violas from Dublin. [1] [2] His instruments have become known for their unusual labels, often expressing his support for liberty and racial equality.
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