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"Songbird" is a song by the British-American rock band Fleetwood Mac. The song first appeared on the band's 1977 album Rumours and was released as the B-side of the single "Dreams". It is one of four songs written solely by Christine McVie on the album. McVie frequently sang the song at the end of Fleetwood Mac concerts. [1]
Nearly two years after her death at age 79, Christine McVie is receiving overdue appreciation as the dueling doyenne in Fleetwood Mac. “Songbird: An Intimate Biography of Christine McVie” (out ...
"Go Your Own Way" is a song by the British-American rock band Fleetwood Mac from their eleventh studio album, Rumours (1977). The song was released as the album's first single in December 1976 in the United States. Written and sung by Lindsey Buckingham, it became the band's first top-ten hit in the United States. [3] "
In 1998, Fleetwood produced and released Legacy: A Tribute to Fleetwood Mac's Rumours, an album that consisted of one cover of each song off Rumours by an act influenced by it, including alternative rock bands Tonic, Matchbox 20, and Goo Goo Dolls; Celtic rock groups The Corrs and The Cranberries; and singer-songwriters Elton John, Duncan Sheik ...
Fleetwood Mac’s lineup shifted several times over the years, but when Stevie Nicks and Lindsey Buckingham joined the group, everything changed. In a new book titled Songbird: An Intimate ...
Years later, after Fleetwood Mac's Behind the Mask tour concluded, Nicks left the group owing to a dispute with Mick Fleetwood: the drummer would not allow her to release "Silver Springs" on her 1991 album Timespace – The Best of Stevie Nicks because he planned to include it on a forthcoming Fleetwood Mac box set. [9] The song subsequently ...
A woman went viral for her tweets about discovering Fleetwood Mac and the drama that unfolded during the making of their 1977 album "Rumors"
[3] Fleetwood Mac biographer Cath Carroll describes the opening of the song as being "unprepossessing" and "almost lumpen." [5] However, she claims this has a purpose, as it makes it even more powerful and energetic when the main part of the song kicks in. [5] The lyrics provide a conciliatory view of the end of a romantic relationship. [5]