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In fifth species counterpoint, sometimes called florid counterpoint, the other four species of counterpoint are combined within the added parts. In the example, the first and second bars are second species, the third bar is third species, the fourth and fifth bars are third and embellished fourth species, and the final bar is first species.
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure, the Ursatz.
Counterpoint (Kontrapunkt in the original German) is the second volume of Heinrich Schenker's New Musical Theories and Fantasies (the first is Harmony and the third is Free Composition). It is divided into two "Books", the first published in 1910, and the second in 1922. The subject matter of the work is species counterpoint.
(Occasionally, in modern counterpoint textbooks, the third and fourth species are reversed with suspensions being taught before four notes against one.) Fux expressed the intention of adding sections on how to write counterpoint for more than four parts, indicating that rules in this area were to be "less rigorously observed".
4th chapter of ITT is devoted to species counterpoint, an old western tradition of composing music consisting of simple lines with uniform rhythm. Westergaard presented formal grammars to construct/parse species lines. According to him, there are three types of lines: primary line, generic line, and the bass line.
"The study of voice leading is the study of the principles that govern the progression of the component voices of a composition both separately and in combination. In the Schenkerian tradition, this study begins with strict species counterpoint." [21] Vordergrund. See Foreground.
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Using a cantus firmus as a means of teaching species counterpoint was the basis of Gradus ad Parnassum by Johann Joseph Fux, although the method was first published by Girolamo Diruta in 1610. [citation needed] Counterpoint is still taught routinely using a method adapted from Fux, and based on the cantus firmus.