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Aster Aweke [ʔəsɨteɾɨ ʔəwək'ə] (Amharic: አስቴር አወቀ; born 1959) [1] is an Ethiopian singer-songwriter. Aster's voice has attracted broader public popularity, especially tracing back in 1990s singles and her single "Abebayehosh" in Ethiopian New Year.
The following is an alphabetical list of notable musicians using Amharic vocals in their musical compositions. The Amharic language is predominantly used in Ethiopia . Contents:
Mulatu Astatke is considered the father of Ethio-jazz music. Multi-instrumentalist Mulatu Astatke has been considered the father of Ethio-jazz. [4] [5] He was born in 1943 in Jimma and developed an interest in music while studying aeronautical engineering in Wales. [3] He went on to pursue a formal education in music at Holy Trinity College in ...
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch. The music is about war as well as patriotism, songs of victory, and songs that incite support for a certain crusade. [10] The music is also about love, with wonderful melodies and poetic ...
Bizunesh Bekele [2] (Amharic: ብዙነሽ በቀለ; 1936 – 25 June 1990) was an Ethiopian soul singer who was popular in the 1960s and 1970s of Golden Age. She was referred to as "Aretha Franklin of Ethiopia" due to similitude of musical style. Her songs were released in her native Amharic language. [3] [4]
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
Rophnan kept his own music unreleased and made sure that the only place one could hear his tracks would be when he played them himself. One of Rophnan signature tracks, "Get To Work", a Gurage -based beat, was released this way and was played exclusively as part of Rophnan's own DJ sets, which made the song famous within Addis Ababa youth ...