Search results
Results from the WOW.Com Content Network
El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet, unlike tap dance or Irish dance which use different techniques. As with any dance form, many different styles of flamenco have developed.
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
flamenco dancer (male, female), as opposed to 'bailarin', which is any other dancer. baile flamenco dance; other (non-flamenco) types are referred to as 'danza' baile de mantón a dance with a shawl balanceo y vaivén swaying of the body and hips. Balanceo is gentle; vaiven is violent bamberas song form for swings bata de cola
José Greco (né Costanzo Greco; December 23, 1918 – December 31, 2000) was an Italian-born American flamenco dancer and choreographer known for popularizing Spanish dance on the stage and screen in America mostly in the 1950s and 1960s. [1]
María Jesús Pagés Madrigal (b.- 28 July 1963), better known as María Pagés, is a modern Spanish dancer and choreographer. Considered one of the premiere living Flamenco dancers, Pagés has been recognised internationally for decades as one of the top performers of the style, with her expressive stage presence and passionate, unique rhythmic interpretations.
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."
It is among the most popular and dramatic of the flamenco forms and often ends any flamenco gathering. The name bulerías comes from the Spanish word burlar, meaning "to mock" or bullería, "racket, shouting, din". It is the style which permits the greatest freedom for improvisation, the metre playing a crucial role in this.
The original dance version is due to the Sevillian dancer Faíco who was accompanied by Ramón Montoya, who is said to have invented the typical farruca melody for the guitar. The success was thunderous and from then on many other dancers stylized and expanded this flamenco style, such as El Gato or Antonio Gades. [ 3 ]