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This causes the glaze to have as much reduction as possible and can pull out vibrant flashes of color from the glaze and end with either a matte or glossy finish depending on the type of glaze used. Naked Raku is done by coating a section of the exterior of the piece with slip, taping off portions of the piece to leave parts of the body exposed ...
White tenmoku Ofuke ware bowl, medium stoneware with rice-straw ash glaze, between 1700–1850 Edo period. Tenmoku (天目, also spelled "temmoku" and "temoku") is a type of glaze that originates in imitating Chinese Jian ware (建盏) of the southern Song dynasty (1127–1279), [1] original examples of which are also called tenmoku in Japan.
The glaze is not applied with a brush but with a pouring or ladling technique, resulting in a freely-applied look and feel. The distinct green color is a result of the copper-sulfate glaze, combined with oxidation firing. Common motifs include scenes from nature, such as flowers, rivers, and plants.
A light, transparent, or almost glass-like glaze with a bluish-green tint also appears on some Shigaraki wares. The glazes were dribbled, sprayed or spattered over the ceramic surface. Unless allowed to gather in small pools, the glaze appears near invisible in most lighting, only becoming visible when the piece is held and turned in the hand.
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Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
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