Search results
Results from the WOW.Com Content Network
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
Worship (2008), also known as "Worship 1" or "The Purple Book" it first published in 2008, by c.a.t. (under the NCC umbrella) responding to a need within the Christadelphian community for usable original music. The 2nd edition, published in October 2010, has additions and corrections but essentially is the same book from 2008.
This is a list of musicians and groups who compose and play free music, or free improvisation. In alphabetical order: In alphabetical order: This is a dynamic list and may never be able to satisfy particular standards for completeness.
Lord By Whose Breath All Souls and Seeds are Living - Hymn Tune, Erwin (publ. 1967) O Holy City seen of John − Hymn Tune, Sancta Civitas (1968) One Thing have I Desired for SATB unaccompanied (1968) Thee Will I Love for SATB & Organ (1970) [4] Now Abideth Faith, Hope and Charity for SATB & Organ (1972) Come my Soul for SATB unaccompanied (1972)
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
The melodies of such hymns often appeared in cantatas, for example as in the four-part settings concluding Bach's works, or as a cantus firmus in larger choral movements. Other occasions for church cantatas include weddings and funeral services. The genre was later taken up by composers such as Felix Mendelssohn.
A special session of the General Conference, in 1970, changed the name to The Book of Hymns and assured those who had belonged to the EUB that their hymnal would remain in print. [3] The EUB hymnal was also considered to be an official hymnal of The United Methodist Church. The Book of Hymns was approved unanimously by the 1964 General ...