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Pages in category "Landscape paintings by Thomas Gainsborough" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. C.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Self portrait (1882) Joseph Farquharson DL RA (4 May 1846 – 15 April 1935) was a Scottish painter, chiefly of landscapes in Scotland often including animals. He is most famous for his snowy winter landscapes, often featuring sheep and often depicting dawn or dusk.
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
American landscape painter of the Hudson River School. He painted idyllic landscape paintings of an early American wilderness and the scenic vistas of the White Mountains in New Hampshire. He exhibited at the National Academy from 1839 to 1873 and at the American Art-Union in 1847. He was deeply influenced by the dramatic work of Thomas Cole ...
Pieter Bruegel the Elder, Landscape with the Flight into Egypt, 1563, 37.1 × 55.6 cm (14.6 × 21.9 in). The world landscape, a translation of the German Weltlandschaft, is a type of composition in Western painting showing an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings.
He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural ...
The landscape in the painting is not the actual landscape as it appears at Lander's Peak but rather an ideal landscape based on nature, altered by Bierstadt for dramatic effect. [4] Bierstadt's painting hit a nerve with contemporary Americans by portraying the grandeur and pristine beauty of the nation's western wilderness.