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These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day. [38]
"All Things Bright and Beautiful" is an Anglican hymn, also sung in many other Christian denominations. The words are by Cecil Frances Alexander and were first published in her Hymns for Little Children of 1848. The hymn is commonly sung to the hymn tune All Things Bright And Beautiful, composed by William Henry Monk in 1887.
The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] It was arranged by Richard Storrs Willis for his collection Church Chorals and Choir Studies in 1850. [6]
Thomas Traherne (/ t r ə ˈ h ɑːr n /; 1636 or 1637 – c. 27 September 1674) was an English poet, Anglican cleric, theologian, and religious writer.The intense, scholarly spirituality in his writings has led to his being commemorated by some parts of the Anglican Communion on 10 October (the anniversary of his burial in 1674) or on 27 September.
By the 1840s she was already known as a hymn writer and her compositions were soon included in Church of Ireland hymnbooks. She also contributed lyric poems, narrative poems, and translations of French poetry to Dublin University Magazine under various pseudonyms. [4] [a] In 1833, Alexander went to live at Milltown House in Strabane.
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The simile "quiet as a nun / Breathless with adoration" is often cited as an example of how a poet achieves effects. On the one hand "breathless" reinforces the placid evening scene Wordsworth is describing; on the other hand it suggests tremulous excitement, preparing the reader for the ensuing image of the eternal motion of the sea.
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...