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Jean le Rond d'Alembert's Preliminary Discourse of l'Encyclopédie provides a history of the Enlightenment which comprises a chronological list of developments in the realm of knowledge—of which the Encyclopédie forms the pinnacle. [150] In 1783, Mendelssohn referred to Enlightenment as a process by which man was educated in the use of ...
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist, groups of artists or art movement.
This category groups topics regarding the Age of Enlightenment, as well as: Factors which figured in the political developments of the late 18th century and early 19th century, including the American Revolution and French Revolution .
The rationalism and simplicity of classical architecture was seen — in the Age of Enlightenment — as the antithesis of the backward-looking Gothic. The Greek and Roman subject matters were also often chosen to promote the values of republicanism.
Age of Enlightenment, period in Western intellectual history from the late 17th to late 18th century, centered in France but also encompassing (alphabetically by country or culture): Arab Enlightenment or Nahda, late 19th to early 20th century; England: Midlands Enlightenment, period in 18th-century England
Classicism is a specific genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources and an emphasis on society. It was particularly expressed in the Neoclassicism [4] of the Age of Enlightenment.
His art was deeply rooted in the Mexican Revolution, a violent and chaotic period in Mexican history in which various social and political factions fought for recognition and power. The period from the 1920s to the 1950s is known as the Mexican Renaissance, and Siqueiros was active in the attempt to create an art that was at once Mexican and ...
The Enlightenment questioned the foundations of this society and the model of civilization and culture it proposed, dissolving the hierarchies and modes of patronage that nourished rococo painting, already seen as frivolous, effeminate, elitist, and excessively ornamental, thinking the world from a more egalitarian viewpoint, regardless of ...