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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility.
The Trinity in art; A. Adoration of the Trinity; Altarpiece of the Holy Trinity (Master of the Litoměřice Altarpiece) Annunciation (van Eyck, Washington)
The iconography of the Trinity, flanked by Mary and John or including donors, is not uncommon in Italian art of the late 14th and early 15th centuries, and the association of the Trinity with a tomb also has precedents. No precedent for the exact iconography of Masaccio's fresco, combining all these elements, has been discovered, however.
The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
La Gloria is a painting by Titian, commissioned by Charles V in 1550 or 1551 and completed in 1554. It was first given this title by José Sigüenza in 1601 — it is also known as The Trinity, The Final Judgement, Paradise, and Adoration of the Trinity. It is held in the Museo del Prado, in Madrid. [1]
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