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According to the biblical account, Hannah sang her song when she presented Samuel to Eli the priest. The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem (1 Samuel 2:1–10) was a prayer delivered by Hannah, to give thanks to God for the birth of her son, Samuel.
Hannah's conflict with her rival, her barrenness, and her longing for a son are stereotypical motifs. According to Michelle Osherow, Hannah represents the character of the earnest petitioner and grateful celebrant of divine glory. Hannah was an important figure for early English Protestantism, which emphasized the importance of private prayer. [6]
After Hannah gives birth to a son, Samuel, she prays a prayer which is recorded in 1 Samuel 2:1–10. This is normally called the Song of Hannah , but according to 1 Samuel 2:1, it is a prayer. Eugene Peterson suggests that to Eli, the "normal way of prayer" was "by means of ritual, incense, and animal sacrifice, a gathering of the community ...
In her despair, Hannah prayed to God for a child, and promising that if her prayer is granted, she would dedicate her son to God. When Eli found Hannah in the temple, she was praying silently with her lips moving. Eli witnessed this unusual behavior, and concluded that Hannah was intoxicated.
The guideline of quiet prayer comes from Hannah's behavior during prayer, when she prayed in the Temple to bear a child. [39] She prayed "speaking upon her heart", so that no one else could hear, yet her lips were moving. Therefore, when saying the Amidah one's voice should be audible to oneself, but not loud enough for others to hear.
Eventually, in answer to her desperate prayer, Hannah's womb was opened, and she bore Samuel, and later another three sons and two daughters. [8] After the birth of Samuel, Peninnah is not mentioned again, and 1 Samuel 2:20 says that Eli "would bless Elkanah and his wife", referring to Hannah.
In the Book of Common Prayer Evening Prayer service, it is usually paired with the Nunc dimittis. The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular.
Two women, Beulah (from Gander) and Hannah (from New York), bond over the fact that both of their sons are firefighters, but Hannah's son remains missing after the attacks ("I Am Here"). Hannah asks Beulah to take her to a Catholic church, and a number of characters make their way to other houses of worship around town ("Prayer").