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De Stijl (/ d ə ˈ s t aɪ l /, Dutch: [də ˈstɛil]; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren (Piet Mondrian, Bart van der Leck).
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Neoplasticism (or neo-plasticism), originating from the Dutch Nieuwe Beelding, is an avant-garde art theory proposed by Piet Mondrian [a] in 1917 and initially employed by the Dutch De Stijl art movement. The most notable proponents of this theory were Mondrian and another Dutch artist, Theo van Doesburg. [1]
In painting, during the 1920s and 1930s and the Great Depression, modernism was defined by Surrealism, late Cubism, Bauhaus, De Stijl, Dada, German Expressionism, and modernist and masterful color painters like Henri Matisse and Pierre Bonnard as well as the abstractions of artists like Piet Mondrian and Wassily Kandinsky which characterized ...
Du "Cubisme", also written Du Cubisme, or Du « Cubisme » (and in English, On Cubism or Cubism), is a book written in 1912 by Albert Gleizes and Jean Metzinger. This was the first major text on Cubism , predating Les Peintres Cubistes by Guillaume Apollinaire (1913).
Purism does not intend to be a scientific art, which it is in no sense. Cubism has become a decorative art of romantic ornamentism. There is a hierarchy in the arts: decorative art is at the base, the human figure at the summit. Painting is as good as the intrinsic qualities of its plastic elements, not their representative or narrative ...
Bauhaus and De Stijl Suprematism ( Russian : супремати́зм ) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors.
Crystal Cubism (French: Cubisme cristal or Cubisme de cristal) is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the ...