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Today, rug hooking has been labeled in Canada as a fine art and has gained a much wider respect across the world. A modern hooked rug from Lebanon, New Hampshire. Rug hooking was originally developed in England as a method of using leftover scraps of cloth. Since hooking was a craft of poverty, rug makers put to use whatever materials were ...
Traditional rug hooking is a craft in which rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage. [2]
The name 'soumak' may plausibly derive from the old town of Shemakja in Azerbaijan, once a major trading centre in the Eastern Caucasus. [1] Other theories include an etymology from Turkish 'sekmek', 'to skip up and down', meaning the process of weaving; or from any of about 35 species of flowering plant in the Anacardiaceae or sumac family, such as dyer's sumach (Cotinus coggygria), used to ...
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
The Monk's cloth was woven with basketweave, usually with 2×2 or 4×4. Basketweave is a plain weave, with the difference that it allows two or more filling yarn to pass over and under two or more warp yarns and forms a check pattern. [1] [3] [2]
Tibetan khaden (sleeping rugs) with designs typical of 19th century weavings. Tibetan carpets from the 19th century (perhaps earlier, though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring, carpet makers at that time being restricted to a narrow range of natural dyes including madder (red), indigo (blue), Tibetan rhubarb (yellow) and ...
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